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Karen Hendy is an artist from Kerry. Mixed media and materials form the basis of her work.  Hendy draws on her experience of living within a rural community to explore her ideas of change and impermanence in relation to the human conditiion. Having experienced the burning of the land, ploughing, tilling and sewing as part of the yearly ritual of renewal, she deliberately introduces these physical processes in her work. Hendy uses these as rituals to enter into a visual narrative reflecting current states of impermanence in society, policies and environmental matter. She applies the concept of polymaterialism - the ability of a single work to contain a multitude of materials – in a metaphorical and purposeful manner in order to push the limitations of a flat painting into the third dimension.

Hendy is a graduate of the National College of Art and Design and has also studied at the Burren College of Art, she has been exhibiting since 2010. Exhibitions include Boyle Arts Festival 2017, Siamsa Tire, Tralee 2017, VUE Royal Hibernian Academy 2016, Royal Ulster Academy 2016, Ballinglen Arts Festival 2015 (solo), Skibbereen Arts Festival 2016 (two person), Catherine Hammond Gallery 2016, Uillinn West Cork Arts Centre 2015, Dunamaise Arts Centre 2013 (solo), Stone gallery Dublin 2010, Berlin 2010, EVA International 2010.
She is receipient of numerous awards and bursaries such as Siamsa Tíre Artist in Residency Award 2017, Tyrone Guthrie Cork County Council 2017, Kerry County Council 2017, Kildare County Council 2015, Laois County Council 2013, Ballinglen Fellowship award 2012, Artist in Residence Laois County Council 2011-2013.
Hendy has also been involved in  projects in the public domain, a joint project of 12m x 2m  Steel structure  using Corten Steel and Light for Camden; engraving patterns for the replica of the Bangor Bell 2015; Shankill Public Sculpture Community Project 2015; Honeycomb recycling project for Electric Picnic Music Festival 2012.
Karen is currently working with Siamsa Tíre National Folk Theatre of Ireland on a project that will go towards a solo exhibition for 2019.